In architecture, “eclecticism” is defined as a current that aims at mixing the best stylistic elements present in the various architectural movements. The movement was born in England in 1700, then in the following century it spread widely to the rest of Europe, eventually reaching southern Italy as well. In its initial phase, European architectural eclecticism drew its ideas from different historical periods, with the birth of neo-Greek architecture, followed by the neo-Renaissance and then by the neo-baroque, but over the years the interpreters of eclecticism sought the their inspiration not elsewhere in time but in space, in the architecture of distant and exotic places, hence the Neo-Moorish and Neo-Egyptian architecture, but there was also no lack of Chinese and Indian influences.
What we will look at more closely is the neo-Moorish style, which left splendid traces in the Salento peninsula, but which arrived in the West primarily in France, following Napoleon’s expedition to Egypt in 1798, and later developed in England and in other European countries, also due to colonialism in the East. Among the most distinctive elements of Moorish architecture we note the presence of circular domes, generally surmounted by a pointed spire, the use of bright colors and a large amount of intricate decorative motifs.
One of the most shining examples of this style in Salento is undoubtedly Villa Sticchi in Santa Cesarea Terme, a splendid building set in one of the most beautiful corners of the entire southern coast of the Adriatic, majestic and immediately recognizable even from far away, for reasons functional as well as aesthetic: the imposing central pagoda, in fact, which makes its profile so unmistakable, at the time was also designed to reflect the sunlight and become a beacon for ships sailing off the coast. This private residence can be considered a real icon of the local area, it was completed in 1894 on the ambitious project of the engineer Giuseppe Ruggeri, who signed many other Moorish residences on the two coasts of Salento, including the one he occupied as his own residence. in Leuca, or Villa La Meridiana, with an octagonal plan and also unmistakable from the outside due to its lively red and yellow parallel bands.
Another very interesting case is that of the “Eclectic Villas of the Cenate”, which take their name from the place where they were built, the Cenate in fact. These stately villas were designed and built between the end of the nineteenth century and the beginning of the next, in the midst of the “eclectic period” and we can admire them on the roads that lead from Nardò to the marinas of Santa Maria al Bagno and Santa Caterina. Walking or cycling through these country roads suddenly, in the middle of the characteristic olive trees, these precious baroque villas appear, in Art Nouveau style or even here in neo-Moorish style, as in the case of the beautiful Villa Saetta (now De Michele) and Villa Cristina dei Personè (now De Benedittis).
This desire to experiment and enrich the local landscape with exotic motifs and shapes was not limited to the coast but also took hold in the city of Lecce, only that while for the summer residences you could indulge yourself in the decorations, especially with the colors, city eclecticism took on less pronounced tones. In Lecce, however, there are some examples of nineteenth-century villas resulting from the architectural eclecticism of the period, almost all along the avenues created at the end of the nineteenth century in place of the newly demolished sixteenth-century walls. Interesting for the variety of architectural characters is Villa Bray, in neo-Moorish style, with an inscription in Arabic characters under the cornice, decorated with horizontal yellow and red bands: on the first floor the windows have horseshoe arches, on the second the arches are Byzantines, on the pointed arch gate. Villa Indraccolo also has oriental-style decorations. Another example of eclecticism declined according to local taste is Villa Himera, whose friezes are carved in Lecce stone.